Visual Communication – a Means of Influencing the Consumer Public

Authors

  • Cătălin Popescu „Petre Andrei” University of Iaşi, Romania Author

DOI:

https://doi.org/10.63331/upasw/33/19

Keywords:

communication, art, contemplation, audience

Abstract

In arguing for the conception of this article, I chose to start from the premise that today the “encounter with art,” in its broad sense, is clearly facilitated by the evolution of technological means that ensure extremely rapid access to works of art, significantly reducing the distance between the subject and the artistic object. Thus, we can fully endorse the idea of art opening up to an audience undergoing a process of substantial emancipation, a process based on the gradual elimination of spatial and geographical barriers that previously limited the possibilities of bringing the contemplator face to face with the object of contemplation.

Author Biography

  • Cătălin Popescu, „Petre Andrei” University of Iaşi, Romania

    Lecturer Ph.D., „Petre Andrei” University of Iași, Romania

References

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Boncompagni, Solas. Lumea simbolurilor: Numere, litere şi figuri geometrice. București: Humanitas, 2003.

Eco, Umberto. O teorie a semioticii. București: Editura Meridiane, 2003.

Fiske, John. Introduction to Communication Studies. 2nd ed. London: Routledge, 1990.

Hasan, Yvonne. Paul Klee şi pictura modernă: studiu despre textele lui teoretice. București: Editura Meridiane, 1999.

Klinkenberg, J. M. Iniţiere în semiotica generală. Iași: Editura Institutul European, 2004.

Taraşi, Mihail. Sens şi expresie în arta contemporană. Iași: Editura ARTES, 2007.

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Published

12-12-2025

How to Cite

Popescu, C. . (2025). Visual Communication – a Means of Influencing the Consumer Public. Anuarul Universitatii Petre Andrei Din Iasi - Fascicula: Asistenta Sociala, Sociologie, Psihologie, 33, 188-192. https://doi.org/10.63331/upasw/33/19